TIA DOCA’S HOUSE
A Sanctuary for Samba Masters
Tia Doca’s House is a historical landmark of samba culture and suburban traditions in Rio. It was in the backyard of Jilçária Cruz da Costa, known affectionately as Tia Doca, that a pagode (samba genre) emerged in the mid-1970s, becoming a cultural hotspot. Rising stars like a young Zeca Pagodinho mingled with Portela’s samba veterans. The space also served as a rehearsal venue for the Velha Guarda (the Old Guard).
Frequent visitors to this authentic terreiro de samba included Clara Nunes, Jovelina Pérola Negra, Paulinho da Viola, and Dona Ivone Lara. Even as a child, Dudu Nobre showcased his talent on the cavaquinho in these circles.
Born in 1933, Tia Doca worked as a weaver and domestic worker to raise her three children. She joined Portela in 1953 after marrying composer Altair Costa. Following their separation, the samba in her backyard became a way to support her family, transforming her home into one of Rio’s most important cultural spaces.
In 1970, Tia Doca joined the Velha Guarda da Portela, contributing as a choral singer, solidifying her role as one of samba’s leading female voices. Her samba Orgulho Negro (Black Pride) was recorded by Jovelina Pérola Negra, further cementing her importance in the music scene.
In the 1980s, the famed pagode relocated but remained in the same neighborhood. Its success was so significant that in 2002 a CD was released, featuring classic tracks from the gatherings hosted by Tia Doca.
In 2008, Tia Doca was featured in the documentary O Mistério do Samba (The Mystery of Samba), produced by singer Marisa Monte, a close admirer of Portela. Directed by Lula Buarque de Hollanda and Carolina Jabor, the film highlighted Tia Doca’s contributions alongside those of the Velha Guarda.
Tia Doca passed away in 2009 at the age of 77, leaving behind an unforgettable legacy. Her death deeply moved the residents of Oswaldo Cruz and samba lovers everywhere. Preserving the memory of Tia Doca’s House and the samba terreiro she established is essential to honoring her enduring influence on Brazilian culture.
