Rio de Sons

CURADORIA

Heloisa Murgel Starling

In the city, there is sound. Rio de Janeiro is song and noise. Our ears listen to an old samba playing in a botequim, the "olha o mate" shout on the beach, the carnival block passing in the street, the helicopter overflying a community. Silence does not exist. As we walk through the streets, we are invaded by sounds and noises with which we identify ourselves and identify the city.

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Olha o Carnaval aí, gente!

Oh, move aside, I want to pass... Bum bum paticumbum prugurundum. Carnival is Rio's most striking cultural phenomenon. Transgression and irreverence, a unique blend of joy and sadness: it is impossible to define its spirit. Nor to represent the amalgam of sounds and rhythms that sustains it. Not for nothing, on the eve of the revelry, the mayor hands Momo the keys to the city. A liberating breach in time is created, a moment of suspension of routine. A memory that, in the other 360 days, serves as a pacemaker to guide the city's pulse.

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