This sign is part of the Rota do Samba de Vila Isabel – Os Três Apitos circuit.
Audio guide. To access the full version, download the Mingoo app here. For more information, visit www.mingoo.com.br
The Vila Isabel neighborhood features a Portuguese stone sidewalk along Boulevard 28 de Setembro, an important cultural heritage site in the city. Designed by architect Orlando Magdalena, the project was inaugurated in 1965 during the city's fourth centenary celebrations. Vila Isabel was already famous as a bohemian neighborhood at that time due to its residents, including composers Noel Rosa, Orestes Barbosa, João de Barro, and Almirante. Almirante selected the songs that would become known as the "musical sidewalks of Vila Isabel."
Image description: This is a photograph of a sidewalk with an artistic pattern. The image shows a circular area made of small pieces of stone, forming a geometric design. In the center, there are large, black letters that spell out the word "Bijus." The letters are arranged in a curve, wider at the top and narrower at the bottom. The background is made up of pieces of stone in shades of gray and white, creating a contrast with the black letters.In total, there are nineteen musical scores distributed between Praça Maracanã and Praça Barão de Drummond, starting with the march "Cidade Maravilhosa," by André Filho, and followed by nine songs on each side of the avenue. Among them are classics such as "O Abre Alas," by Chiquinha Gonzaga; "Pelo Telefone," by Donga and Mauro de Almeida; "Aquarela do Brasil," by Ary Barroso; "Carinhoso," by Pixinguinha and João de Barro; "Chão de Estrelas," by Orestes Barbosa and Sílvio Caldas; "Na Pavuna," by Homero Dornellas and Almirante; as well as "Renascer das Cinzas," by Martinho da Vila — the last one located in Praça Barão de Drummond. A highlight is the song "Feitiço da Vila," by Noel Rosa and Vadico, installed in front of the Atlética Vila Isabel Association.
Image description: This is a photograph of a musical sidewalk located in a park. The sidewalk is made of small white ceramic tiles, forming a geometric pattern with black lines that repeat along the path. In the center of the sidewalk, "Renacer das Cinhas Martinho da Vila" is written in black letters. To the left, there is a wooden post and a metal fence. In the background, there are large trees and a structure covered by a roof. To the right, there is an open area with some people sitting on benches in the shade of the trees."Feitiço da Vila" is one of Noel Rosa’s most emblematic compositions and has become an anthem for the neighborhood. It emerged from the context of the famous musical dispute between Noel Rosa and Wilson Batista—a notable episode in the history of Rio de Janeiro samba. Batista started the "feud" with "Lenço no Pescoço" ("Neck Scarf"), to which Rosa responded with "Rapaz Folgado" ("Lazy Boy"). Batista then released "Mocinho da Vila," to which Rosa responded with "Feitiço da Vila," a passionate defense of the neighborhood. Batista reacted with "Conversa Fiada," and Rosa responded with "Palpite Infeliz." Batista continued the exchange with "Frankenstein da Vila" and "Terra de Cego." The clash ended symbolically with "Deixa de Ser Convencida," composed jointly by the two artists about Ceci, Noel's great love, who was the central figure in this story of music, bohemian life, and the cultural identity of Vila Isabel.
Image description: The image is a photograph of a sidewalk with an artistic mosaic design. From left to right, we see a pedestrian crosswalk with a white car parked behind a store. In front, there is a mosaic with the name "Feitiço da Vila" and "Noel Rosa" in large black letters on a light background. In the background, there is a store with display windows showing products and a picture frame with a female figure. On the right side, two people are walking toward the store's steps.Next stop: Feitiço da Vila. Click here to access the interactive map with all the locations Rota Os Três Apitos.
Image description: The image shows a set of logos and text related to projects and institutions. On the left side is the Brazil logo in green, yellow, and blue. Next to it is the EmbraturLAB logo, made up of an orange dot pattern. Below are logos for technologies such as Zcept Tech, Mingoo, Bone, and WeSense. In the center are the Diaspora Black and Etnias logos. On the right is the iFriend platform logo. Below these elements are further supporting logos, including those of Rio de Janeiro, the Rio City Hall, Conservação e Serviços Públicos, and the Laboratório de Encantadores.
