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The Sacred Baptism of Portela
Religious houses rooted in Afro-Brazilian traditions were instrumental in shaping Oswaldo Cruz’s cultural identity, especially by blending the religious practices of Candomblé and Umbanda with samba and community life.
These spaces preserved songs, dances, foods, and celebrations while becoming centers of cultural resistance and ancestral wisdom, led by respected matriarchs, these houses were much more than spiritual hubs—they fostered community belonging, mutual support, and the affirmation of African heritage.
Led by respected matriarchs, these houses were much more than spiritual hubs—they fostered community belonging, mutual support, and the affirmation of African heritage. Faith, music, and popular culture intertwined, creating spaces for solidarity and celebration. Among the most prominent leaders was Dona Neném, who, alongside Vovó Martinha, managed a house famous for the bamboo grove that surrounded it.
Their home was frequented by notable community figures like Paulo da Portela and other members of the samba school, who sought their counsel, shelter, and spiritual guidance.
Stories from elders recall the common practice of baptizing Carnival groups to ensure their protection and prosperity.
Portela itself underwent such a spiritual baptism, performed by the matriarchs. With their axé (spiritual energy), they consecrated the school to Oxum, the orixá of prosperity, fertility, and love, associated in Catholic syncretism with Our Lady of the Immaculate Conception.
Image description: This is a black-and-white print. In the center, we see a female figure in traditional garments, possibly representing a Virgin Maria, with an open mantle and a crown in her hands. The figure is surrounded by angels and other celestial beings, some of whom hold objects such as crowns and musical instruments. In the background, there is a hazy sky with dense clouds. At the bottom of the image, there is text in Portuguese that reads: "NOSSA SENHORA DA CONCEIÇÃO".Nossa Senhora da Conceição (padroeira do reino) / Conceição Silva. - : Ed. Guimarães Libanio, [ca. 1899]. - 1 reprodução de obra de arte : p&b
The school’s drum section, in turn, was dedicated to Oxóssi, the orixá of hunting and abundance, associated in syncretism with Saint Sebastian. This consecration left a lasting imprint on Portela’s rhythm: the signature drumbeat of its bateria — now known as Tabajara do Samba — is a tribute to Oxóssi. This connection symbolizes the profound bond between spirituality and music.
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