BlackWall

Tempo de leitura 2 min

Rio Memórias

Negro Muro is not a static cultural facility, but rather a living museum spread across the streets of Rio de Janeiro. Conceived by cultural producer Pedro Rajão and visual artist Cazé, the project uses graffiti and urban art to record, on a monumental scale, the history of Black figures who were fundamental to the construction of Brazilian identity, but who were often rendered invisible by the official narrative.

Cazé e Rajão em frente ao mural de Luiz Gama

Unlike traditional museums, Negro Muro chooses the location of its works based on emotional and historical geography. Each mural is painted in a place that has a direct connection with the life of the honored personality.

Mural homenageando Ruth de Souza ao lado do Theatro Municipal

An emblematic example is the mural of Ruth de Souza, located in the Flamengo neighborhood, where the actress lived for decades. Another landmark is the panel of Lima Barreto, in the suburb of Todos os Santos, a neighborhood that served as the setting for his chronicles and novels. By occupying the city's walls, the project turns everyday urban life into a history lesson, allowing residents of different neighborhoods — from downtown to the North and West Zones — to recognize their ancestral heroes on their way to work or school.

Waldemar Santana homenageado em mural na rua da Lapa. ao lado do prédio da ACM.

Negro Muro has already surpassed the mark of dozens of murals spread throughout the state. The project works as a heritage education tool, promoting pride and belonging. The paintings are accompanied by in-depth biographical research, which brings names such as these to light:

Luiz Gama, Clementina de Jesus, Ruth de Souza, Machado de Assis, and many others.

Mural painting showing a bearded male figure, chessboard, and books.Image description: The image shows a large mural painted on a building facade. The central scene is a male figure with a gray beard, wearing a black suit and tie. In the background, there is an illustration of a city with houses and streets. Below the main figure, two people are sitting at a table playing chess. In front, colorful books are arranged on a shelf. At the bottom of the mural, there is a white sign with logos and text. Beneath the sign, there is a bronze statue of a seated person. To the left of the image, there is a green tree.

The impact of Negro Muro goes beyond aesthetics: it changes the perception of public space, transforming gray walls into portals of memory. It is a direct response to historical erasure, reaffirming that Rio de Janeiro is, essentially, a city forged by Black intelligence and resistance.

Useful Information

Address: The project is itinerant and spread across several neighborhoods.

Official Website / Social Media: https://negromuro.com.br/ e instagram.com/negromuro

Opening Hours: Since they are located on public streets, the murals can be enjoyed 24 hours a day, 7 days a week.

Access Conditions: Admission: Free (Exhibition on public streets).

Accessibility: Accessibility depends on the sidewalk of each street, but most of the panels are in places with easy circulation and visibility.

Tip: The project's official Instagram profile provides maps and routes for those who want to take a guided "tour" of the city's murals.

Outras memórias

Memória 1 de 4: YABÁS FAIR