The 1960s marked the introduction of higher education and the consequent professionalization of design/industrial design and visual communication activities in Brazil. Although São Paulo was an essential part of this process, the first consolidated initiative took place in Rio de Janeiro, where the first school of its kind on the Latin American continent was founded, based on actions originating at the Museu de Arte Moderna. In 1963, ESDI/Escola Superior de Desenho Industrial was founded, on land stretching from Rua Evaristo da Veiga to Rua do Passeio. Strongly influenced by abstract and geometric thinking and based on the teaching model of the Ulm School of Design (Germany), successor to the revolutionary Bauhaus, ESDI counted among its founders former Ulm students and Aloísio Magalhães, a graphic artist and designer from Pernambuco who redesigned the visual identity of many major companies of that period, as well as our currency and the symbol for Rio's four-hundredth anniversary, celebrated in 1964. At that time, many companies were investing in reviewing/updating their visual identity, and Light was one of them, hiring Aloísio Magalhães's studio. To mark the completion and presentation of the work, an event was held at the ESDI exhibition pavilion, which had been built by students in 1964. It was decommissioned at the end of the 1970s. It is worth mentioning that on that same site once stood the Impressão Régia, the first printing establishment authorized to operate in our country, with equipment brought from Portugal in 1808.
Identidade Visual da Light. Entrada da exposição realizada no pavilhão da ESDI. Fotógrafo não identificado
Below are memories of the implementation process of Light's then-'new image,' in the 1960s. It serves as a tribute to the architects and designers who created their projects without the digital resources we are so accustomed to today. In this photograph – a study – we see the company's previous logo alongside the proposed application of the new visual identity, on the façade of the Madureira agency. Until then, it was common to use cursive, handwritten-style lettering. The advertisement for the Shopping Center Madureira seen on the left corroborates this observation.
Inauguração Agência de Madureira – 25/09/1969 – Fotógrafo não identificado
In this photograph and the next one, both now kept in the Light historical archive, we have interesting evidence of how images were altered before Photoshop... the new logo was applied over the previous one, and the area to the right of the building, next to the sidewalk, is entirely painted over, in black (simulating a blocked entrance) and in white (a wall crossing the sidewalk).
Agência Comercial Campo Grande - 04/01/1973 - Gerson Rodrigues Géa
In the second photograph, an optional study made from the same negative, but with a different application of the logo, they forgot to retouch the white wall crossing the sidewalk, and so we see there a situation that's hard to make sense of... but the fact is that even today, in digital times, these slip-ups still happen!
Agência Comercial Campo Grande - 04/01/1973 - Gerson Rodrigues Géa