In the early decades of the twentieth century, there were many novelties to dazzle pedestrians on the streets of Rio. The rollout of new electric power services involved operations that drew crowds of citizens eager to watch those events unfold. Even the simple removal of a heavy cast-iron cover from a distribution box, using a lever that required the brute force of three men, was enough to arouse curiosity. And what a photograph! Look at the clothes, the variety of hats, the shoes. And the blurred figure of the man crossing the street, the automobile in the background, the lamppost with its lights, the slender trunk of the newly planted tree. The tram tracks, freshly laid, crossing the street. The Portuguese-stone pavement, yet another of the novelties brought in by Pereira Passos. This was modern Rio.
Standard Vault Entrance – 28/05/1908 – Fotógrafo não identificado
This photograph was taken on the occasion of the installation of a new transformer in an underground chamber in Copacabana in the early 1960s, when the neighborhood's process of vertical growth was in full swing. Buildings crammed one against the other, even advancing up the hillsides; a road with no turning back. In the background, one can see the Agulhinha do Inhangá, also known as Bico de Papagaio or Pedra do Cão, on the Morro São João.
Copacabana: Rede subterrânea – novembro de 1961 – Fotógrafo não identificado
In the detail, the sign in the foreground reads: “Attention. Rio Light S. A. Men working.” Men working; but the women and children are watching. A sign of new times, half a century after the previous photo: the woman wears long trousers and leads the child right up close to the entrance of the underground chamber; the little one's curiosity and fascination are evident. The experienced worker in his overalls, however, casts a look of disapproval, perhaps, or at least of watchfulness, toward the young citizen wearing nothing but shorts and holding a straw hat in his hand. This one seems to be waiting his turn to get closer to the big attraction. In the 1960s, the use of clogs, like the ones we see on the feet of the worker in the foreground on the left, was still common. He wears gloves, but boots were not yet mandatory; when it comes to safety equipment, how far we've come!
Detalhe da fotografia Copacabana: Rede subterrânea – novembro de 1961 – Fotógrafo não identificado
In the 1960s, Light invested heavily in installing underground cables in the city of Rio de Janeiro. In places like the one we see here, galleries had already been built previously, and the challenge then was to run the new cables through. Considerable human effort was involved. This became an attraction for onlookers, like the well-dressed young citizen with an impeccable hairstyle, hands in his pockets, posing for the photographer and thus enriching the context of the image – without him there, let's admit it, it would be a different story.
Avenida Marechal Floriano: Rede subterrânea – 14; 15; 16/01/1966 – Gerson Rodrigue Géa