The 1910 image shows a stage of the preparations for the construction of the future Light headquarters. The front wall of the lot had already been demolished, as had the Carris Urbanos building. In this image, a kiosk is seen in the foreground; there were many throughout the city. Originally conceived for the sale of newspapers, magazines, and postcards, over time they altered their profile – just as happens with newsstands today. The kiosks became a kind of ‘mini-bar’, beginning to market beverages, snacks, and other treats, items for smokers, and lottery tickets. Frequented by the city's poorer layers, they came into the sights of Mayor Pereira Passos' urban reforms until they were finally extinguished.
Rua Larga Carhouse Location [Rua Larga (Marechal Floriano): Garagem de Bondes] – 29 jun. 1910 – Fotógrafo não identificado
From the initiative at the beginning of the 20th century, all the necessary infrastructure was implemented for the start of a new chapter in Rio's history, full of urban progress (but not for everyone, as we well know), comfort, and a radical change in the habits and customs of the population. Since we do not see electricity, we give it little attention in daily life. We only feel its absence when the supply is interrupted and life stops; it is impossible to live without it! Built in eighteen months with a metal structure imported from the United States, and inaugurated in 1912, the Light headquarters building fits into the ‘American Renaissance’ style – a cultural and stylistic movement that manifested in the architecture and arts of the United States during that period; a late neoclassicism with a certain eclecticism, that is, a mixture of styles from the past. The entrance for the trams was through the central bays, leading toward the back of the building.
Rua Larga Carhouse – 03/11/1911 – Mortimer
The headquarters building underwent renovations when it no longer fulfilled the additional function of a tram station. In 1936, part of the lobby used as access to the old garage was transformed into the main lobby, including a reception area for public service. This was reflected in its facade – those who pass along Marechal Floriano avenue today have no idea that where we see large storefronts, wide openings for the circulation of trams once existed. The main building of the current complex, listed by IPHAN in 1988, integrates the Centro Cultural da Light, inaugurated in 1994 and which remains in operation.
Rua Larga: Escritório Central - 03/12/1957 - Fotógrafo não identificado
This photograph provides us with many indications of a way of life that was radically transformed. Starting with the dimensioning of the space – spacious and with a very high ceiling –, the marble finish on the lower part of the walls, the various fans that ensured air circulation, the filtered water cooler, the spittoon (it is worth remembering that tuberculosis was a serious public health problem), the ashtray (because people smoked a lot and in almost all environments) and a comfortable solid wood bench.
Light: Saguão – 19/04/1905 – Rembrandt
The atmosphere in the offices was also different, without the typical compartmentalization so common today. Behind the wide counter – “Payment of bills” – the employees' desks were in sight.
Light: Escritório – 1936 – Rembrandt
It is worth mentioning that in those times, going to Light to pay a bill was considered, by many citizens, a good outing. Taking the tram, strolling through the streets full of novelties, entering that majestic building... and the lines represented an opportunity to practice sociability; let's be honest. Quite different from the bills of today.
Detalhe da foto Light: Escritório – 1936 – Rembrandt
In this image, an example of an internal work environment, in the Light headquarters building – the Accounting Section. Note the exposed steel structure, the dividing grilles, the light fixtures, and the furniture.
Light and Power: Seção de Contabilidade – Augusto Malta
In the detail of the Accounting Section, one can better observe the functionalities of the furniture, which incorporated a taller structure, in metal or wood, to support the large accounting ledgers. The functional hierarchy was marked by clothing. We also see calculators and a water filter, in the background.
Detalhe da fotografia: Light and Power: Seção de Contabilidade – Augusto Malta
The stenographer on the left and the two telephones on the right, besides the employee's comfortable chair in the center, leave no doubt about how different those times were. And for those who appreciate it, it is worth noting the clothes and hairstyles.
Light: Departamento de Engenharia – Augusto Malta – 10/06/1929
When the streetcar arrived in the city of Rio de Janeiro, the adaptation process was gradual. Initially, the pace imposed by the novelty barely changed the reality then in place – apart from the installation of tracks, which forced citizens to always keep their paths clear, since the streetcar could not make detours. On the narrow streets where it ran in both directions on the same tracks, there were situations in which it became necessary to use the whistle to signal its presence and avoid mishaps.
Vista geral da Estação Central da Carris Urbana – Fotógrafo não identificado – 1905